Cyrano z Bergeracu

Bravo! Mr. Kline! Tolik umu, emocí, zážitků, osvícení a inspirace v jednom díle se nevidí každý den. A přitom vše plyne s lehkostí, s obdivuhodně pokornou samozřejmostí. 🤓 Pár příkladů z amerických commentů a reviews: Kevin Kline is an American acting treasure. A unique talent, with a classic flair, a Chaplinesque sense of timing, and a relatable contemporary presence. 🤓 His bluster-free take on a man of bluster grows on you by stealth, and once you’re used to it, it makes wonderfully good sense. Like his Falstaff, Mr. Kline’s Cyrano has heard the chimes at midnight. A melancholy and fatigue underlie his flamboyant wit, a sense of the toll taken by being too ugly for courtly love and too independent for courtly politics. 🤓 This implicit sadness sets Cyrano apart even more than usual from the soldiers of his Gascon regiment and the bons vivants of Paris. In more classic interpretations Cyrano is an exaggerated version of the gallant ideal the other characters aspire to: more manly, more skilled in the martial arts, more eloquent. Mr. Kline’s Cyrano is indeed all these things. But what truly sets his version apart is the effortlessness with which he embodies them. Even conducting a sword fight to the meter of a spontaneously composed ballade or preparing to take on a lynch mob of a hundred, this Cyrano remains cool and slightly detached. Though Mr. Kline lands every joke and metaphor in style, you sense that Cyrano’s fearlessness comes in part from a weary feeling that he has nothing to lose. 🤓 Ms. Garner, makes Roxane a girl worth pining over. The action-ready, long-limbed presence that made her a natural for the spy series “Alias” lends a lively touch of the tomboy to Roxane. Like Cyrano, she doesn’t quite fit into the regimented world around her, and you can see why these two were meant to be together. (30.09.2019)

V titulcích pořadu uvedeno: režie Matthew Diamond; divadelní režie David Leveaux. (25.05.2020)