Krátkometrážní
Velká Británie,
1984, 25 min
Obsahy(1)
Estetická obrazová mozaika Petera Greenawaya predstavuje symbiózu medzi strihom a hudbou Michaela Nymana. Umelecky tematizuje vodné hrátky v dvojiciach ako "obojživelníky a voda", "deti a voda" a "skupina synchronizovaných aquabel a voda". (ash99)
Soundtracky
The Essential Michael Nyman Band
Vydal: Argo
Rok: 1992
Země: Německo
Formát: digital, CD
Stopáž: 01:06:49
Tracklist
1. | THE DRAUGHTSMAN'S CONTRACT: Chasing Sheep Is Best Left To Shepherds | Michael Nyman | 05:07 |
2. | An Eye For Optical Theory | Michael Nyman | 04:18 |
3. | The Garden Is Becoming A Robe Room | Michael Nyman | 06:10 |
4. | A ZED & TWO NOUGHTS: Prawn-watching | Michael Nyman | 02:30 |
5. | Time Lapse | Michael Nyman | 03:56 |
6. | DROWNING BY NUMBERS: Fish Beach | Michael Nyman | 02:56 |
7. | Wheelbarrow Walk | Michael Nyman | 02:36 |
8. | Knowing The Ropes | Michael Nyman | 05:46 |
9. | THE COOK, THE THIEF, HIS WIFE & HER LOVER: Miserere Paraphrase | Michael Nyman | 07:09 |
10. | Memorial | Michael Nyman | 11:21 |
11. | MAKING A SPLASH: Water Dances: Stroking / Synchronising | Michael Nyman | 10:44 |
12. | PROSPERO'S BOOKS: Miranda | Michael Nyman | 04:16 |
The Essential Michael Nyman Band
Vydal: Argo
Rok: 1992
Země: USA
Formát: CD
Stopáž: 01:06:49
Tracklist
1. | THE DRAUGHTSMAN'S CONTRACT: Chasing Sheep Is Best Left To Shepherds | Michael Nyman | 05:07 |
2. | An Eye For Optical Theory | Michael Nyman | 04:18 |
3. | The Garden Is Becoming A Robe Room | Michael Nyman | 06:10 |
4. | A ZED & TWO NOUGHTS: Prawn-watching | Michael Nyman | 02:30 |
5. | Time Lapse | Michael Nyman | 03:56 |
6. | DROWNING BY NUMBERS: Fish Beach | Michael Nyman | 02:56 |
7. | Wheelbarrow Walk | Michael Nyman | 02:36 |
8. | Knowing The Ropes | Michael Nyman | 05:46 |
9. | THE COOK, THE THIEF, HIS WIFE & HER LOVER: Miserere Paraphrase | Michael Nyman | 07:09 |
10. | Memorial | Michael Nyman | 11:21 |
11. | MAKING A SPLASH: Water Dances: Stroking / Synchronising | Michael Nyman | 10:44 |
12. | PROSPERO'S BOOKS: Miranda | Michael Nyman | 04:16 |