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Stop at Nothing: The Lance Armstrong Story has content, which is focused more on the people, who were crucial in the element for admission of the biggest fraud in the history of cycling. Document provides better and deeper insight on the personality (psychology) of Lance Armstrong and brings complex overview of important milestones of his proffesional career. Footage from questioning is the most valuable part, because you can observe actual atmosphere, where milions of dollars are literally flying in the air. Most disturbing are the interviews with head of investigation, journalist David Walsh and authentic witnesses.

Náhled do soukromí diagnostikovaného pedofila z perspektivy filmařů, kteří se spíše drží v ústraní a hlavní děj je tak vytvářen samotným Danielem. Z hlediska filmařského to není, kdo ví jak hodnotná podívaná, protože nesourodé pojetí obrazů shazuje již tak nemastný, neslaný celek. Co se týče obsahu a jeho zaměření na sociologické téma pedofilie, tak tvůrci jej znásilňují, seč můžou a manipulativní formou se snaží přesvědčit diváka o nutnosti empatie a notné dávky tolerance. Monologové vstupy jsou dokladem o sociální deviaci, ale vypovídající jsou rozhovory s vnějším světem (lékař, bratr, kamarádi, komunita pedofilů). Jako upozornění, zvýraznění, respektive propagace tohoto společenského jevu, funguje film zdařile, ale otázkou zůstává, zdali je nutné vydávat finanční prostředky skrz Českou televizi na podobné projekty, když v podstatě tento dokument nic neřeší a nenabízí žádné východiska, ale jen konstatuje a koexistuje z Danielova a jemu podobných případů.

The content is very wealthy, so the outcome of disgusting overeating and neverending greed is very trustworthy. Allegory to some social bad habit is obvious and very nicely filmed. In 11 minutes or so is enough of interesting material and this short film shows main point in very clear colours. Visual side of the film is also very proffesional and outstanding.

Nothing, what could be taken as exceptional movie, but at the same time nothing, what could disappoint. Will Smith and Margot Robbie are on the screen almost from the begining to the end and their performances are on the level, which is enough to entertain. Small disadvatage is the flow, because only few scenes are those, who can take the attractivity higher.

Original short film, which main superlatives are great screenplay lines (such as: „Tank you“, „I am disarming you“, etc.), interesting soundtrack, crazy plot, very interesting twists of story and after all the film has complex image with funny ideas.

The Hundred-Foot Journey is not only about cooking itself, but also about entrepreneurship and courage to establish something exceptional, which might be family run restaurant in foreign country. The confrontation of two totally different cultures is at the end linked by great talent of Hassan, who made his own career based on skills, which are extraordinary, so he can influence trends in cooking. To extend to this, there is also few mini-story lines, which adding enough of interesting and therefore it is great movie for relaxation and rest.

The theme of this movie is life and its beaty, horor, emotions, ups and dows and all of his characteristics viewed mostly from present point of view, but partially also from retrospective. The Great Beauty is showing environment of high class in Rome with all its extravagances and at the same time is putting wealthy life into contradicton to soberly led life. Artistic approach is evident and the movie is thanks to this element more fashionable, so the changes of music genres of angles of camera is quite interesting. Main advantage is the screenplay, where sentences are not shallow and they have very good points.

This film is genuinely piece of art and is mixing a lot of movie genres to one piece and al lis performed in a very good style. From the beginning we can see that Ondine is styled in little bit of fantasy fairytale, but essentially it is very strong irish drama, which is about actual issue of refugees from abroad and they don’t always have to be from african or asian countries. The outcome of social themes such as functioning of not complete family, addiction of people to alcohol, problems of disabled children among their schoolmates, question of religion and christianity and their influece on current living, is treated with sence of european way of look and everything seems to slowly open up. Progressive tempo of the plot is also supported by great music of Sigur Rós, so the final sequence is perfectly set and therefore the whole experience is amazing.

Dokument, respektive sebestředný profil o životě Šárky Strachové ukazuje, že je všestranná sportovkyně. Nejen, že hlavně lyžuje na světové úrovni, jezdí na kole (MTB), ale i silničce, leze po skalách, jezdí na koni, podstupuje rehabilitační a regenerační cvičení, jezdí na kajaku, chodí do posilovny, běhá po pláži a jiných romantických místech či maká na atletické dráze, provozuje skialpinismus, dělá jógu, mastí thaibox a to vše prokládá relaxací v domácím prostředí. Prostě náhled na tréninkové metody jako blázen a samozřejmě, že vše by se nemohlo odehrávat za všudypřítomné podpory sponzorů Česká sportovní, Scott, Allianz, Fischer, Milky, Linde, TK Plus a dalších, ale hlavně trenérů, rodiny a realizačního týmu. I přes všechny pozitivně laděné rozhovory dostává prostor i jednostranný výklad stinných stránek života profesionálního sportovce, kdy náhlý boj o život a problémový vztah se svým otcem způsobily nemalé potíže při cestě k tak chtěnému sportovnímu vrcholu. Skrz radost z kýžených sportovních úspěchů jsou bolístky a pomyslné překážky posunuty do ústraní, a z obětního beránka vlastního otce se stala vyzrálejší, sympatičtější, otevřenější žena s podnikatelským duchem (VO2max). Dvě minuty mého života mají fungovat jako motivace pro široké okolí, ale spíše než tímto směrem, působí demotivujícím způsobem, protože vykresluje Šárku Strachovou rozpačitým způsobem. Profesionální propagace vlastního příběhu a koupení si hodiny primetimu v České televizi se tak pomalu, ale jistě stává nástrojem, jak ještě více přilákat fanoušky. Otázkou zůstává, kde končí vrcholový sport a začíná boj na život a na smrt o sponzory a za každou cenu se marketingově prodat.

What to say about The Lego Movie, when „Everything is awesome“? The title song and its lyrics could be misleading, but it includes whole range of feeling, which you can get from watching this project. Yes, the main characters are not humans, but countless number of childrens are reffering to them as their best friends. Yes, plot is obvious and at the end the evil is beaten, but at the end there are a questions, which arise from the movie and they are obvious. Isn’t The Lego Movie more about human characteristics then products manufactured by The Lego Group? Should the audience conclude that it is possible to advertise all what you can think of (read everything) in current movie industry? Would it be the same movie, if there wouldn’t occured all those references to various LEGO toy lines or references on other movie characters, brands, products, history milestones, … ? The voices of actors are one of the key elements, why even after range of absurdities is my rating so high and the screenplay also brings the experience higher. After all it is controversial, but effective and at the same time very efficient.